Simon: FreeSewing's Simon Shirt
About Simon
Simon is a highly adaptable shirt pattern for people without breasts.
- ๐คฏ๐งต๐งต๐งต๐งต๐งต( difficulty = 4/5 )
- ๐ท๏ธtops( 1 tags )
- ๐ชกhembuttoninterfacingcurvedSeamflatFelledSeamflatSleeve( 6 techniques )
- ๐Joost De Cock( designer )
- ๐งโ๐ปJoost De Cock( developer )
- ๐กSewing Instructions for Simon
- โ๏ธGenerate a bespoke sewing pattern for Simon
- โค๏ธ#FreeSewingSimon( Hashtag for social media )
- Linedrawing
- Measurements
- Design Options
- Design Parts
- Plugins used
- Conditional Options
- Button placket style
Style of the button placket. - Buttonhole placket style
Style of the buttonhole placket. - Armhole depth factor (legacy)
Controls the depth of the armhole. Higher values make a deeper armhole. This option only applies to the legacy (v2) way of calculating the armhole depth. - Armhole depth
Controls the depth of the armhole. Higher values make a deeper armhole. - Draft for high bust
Draft the pattern using the high bust measurement if it is available, instead of using the chest measurement. This can result in a more fitted garment for people with breasts. (Please note that no additional adjustments or shaping is performed. Further manual adjustments may be needed for those with a larger difference between high bust and chest measurements.)
- Button placket style
- Fit
- Biceps ease
The amount of ease at your upper arm. Note that while we try to respect this, fitting the sleeve to the armhole takes precedence over respecting the exact amount of ease. - Chest ease
The amount of ease at your chest. - Collar ease
The amount of ease around your neck - Cuff ease
The amount of ease at your wrist. - Hips ease
Controls the amount of ease at the hips. - Length bonus
The amount to lengthen the garment. A negative value will shorten it. - Round back
To fit a round(er) back, this adds length to the center back (at the yoke) that tapers of towards the sides. - Shoulder ease
The amount of ease at your shoulder. This increases the shoulder to shoulder distance to accommodate additional layers or thickness. - Sleeve length bonus
The amount to lengthen the sleeve. A negative value will shorten it. - Waist ease
The amount of ease at your (natural) waist.
- Biceps ease
- Style
- Back darts
Whether or not to include back darts - Box pleat
Whether to include a box pleat at the back or not - Hem curve
The height of the curve on a curved hem. - Hem style
The style of the shirt hem. - Shoulder seam shift: armhole side
Increase this option to shift the shoulder seam forward on the armhole side. Decreasing it shifts it backwards. - Shoulder seam shift: collar side
Increase this option to shift the shoulder seam forward on the collar side. Decreasing it shifts it backwards. - Split yoke
Whether to draft a split or regular yoke. A split yoke is typically used for using a different grainline on both halves for visual effect - Yoke height
Controls the height of the yoke - Closure
- Button free length
How much of the bottom of the front closure to keep button-free. - Button placket width
Width of the button placket. - Buttonhole placket fold width
Width of the buttonhole placket fold. - Buttonhole placket width
Width of the buttonhole placket. - Number of buttons
The number of buttons on the front closure. - Extra top button
Whether or not to include an extra top button between the collar button and the first shirt button on the front closure. - Separate button placket
Draft a separate button placket - Separate buttonhole placket
Draft a separate buttonhole placket.
- Button free length
- Collar
- Collar angle
The angle of the collar tips. - Collar bend
The bend of the collar. - Collar flare
The flare of the collar tips. - Collar gap
The gap between the two collar ends. - Collar roll
The amount by which the top collar is larger than the undercollar. - Collar stand bend
The bend of the collar stand. - Collar stand curve
The curve of the collar stand. - Collar stand width
Width of the collar stand. - Collar width
Width of the collar relative to collar stand.
- Collar angle
- Cuffs
- Cuff narrow button
Whether to include a button to tie the cuffs more narrow. This option is only relevant for barrel cuffs. - Cuff button rows
Whether to draft a single or double row of cuff buttons. This option is only relevant for barrel cuffs. - Cuff drape
The amount by which the sleeve is wider than the cuff where the are joined. - Cuff length
The length of the cuffs. - Cuff style
What style of cuffs do you prefer? - Sleeve placket length
The length of the sleeve placket. - Sleeve placket width
The width of the sleeve placket.
- Cuff narrow button
- Back darts
- Advanced
- Across back factor
Controls your across back width as a factor of your shoulder to shoulder measurement. - Back dart shaping
The amount of shaping that is done by the back darts - Back neck cutout
How deep the neck is cut out at the back - Box pleat fold
The amount by with the box pleat folds inwards - Box pleat width
The total width of the box pleat - Flat-felled seam allowance
The amount of seam allowance on flat-felled seams as a proportion of the regular seam allowance - Front armhole extra cutout
How much do you want the front armhole to be cut out deeper than the back. - Legacy armhole depth
Enable this option to use the legacy way to calculate the armhole depth (using biceps circumference) rather than the v3 way (using the waist to armpit measurement) - Shoulder slope reduction
The amount by which the shoulder slope is reduced to allow for shoulder padding. - Sleeve width guarantee
Controls how much of the sleeve width will be guaranteed. This determines how much we can alter the sleeve width to fit the sleeve in the armhole. - Sleevecap
- Sleevecap back X
Controls the placement of the sleevecap back pitchpoint on the X-axis (horizontal) - Sleevecap back Y
Controls the placement of the sleevecap back pitchpoint on the Y-axis (vertical) - Sleevecap ease
The amount by which the sleevecap seam is longer than the armhole seam. - Sleevecap front X
Controls the placement of the sleevecap front pitchpoint on the X-axis (horizontal) - Sleevecap front Y
Controls the placement of the sleevecap front pitchpoint on the Y-axis (vertical) - Sleevecap Q1 offset
Controls the curvature of the sleevecap in the first quadrant (front armhole) - Sleevecap Q1 downward spread
Controls the spread of the sleevecap first quadrant curvature towards the armhole - Sleevecap Q1 upward spread
Controls the spread of the sleevecap first quadrant curvature towards the shoulder - Sleevecap Q2 offset
Controls the curvature of the sleevecap in the second quadrant (front shoulder) - Sleevecap Q2 downward spread
Controls the spread of the sleevecap second quadrant curvature towards the armhole - Sleevecap Q2 upward spread
Controls the spread of the sleevecap second quadrant curvature towards the shoulder - Sleevecap Q3 offset
Controls the curvature of the sleevecap in the third quadrant (back shoulder) - Sleevecap Q3 upward spread
Controls the spread of the sleevecap third quadrant curvature towards the shoulder - Sleevecap Q3 downward spread
Controls the spread of the sleevecap third quadrant curvature towards the armhole - Sleevecap Q4 offset
Controls the curvature of the sleevecap in the fourth quadrant (back armhole) - Sleevecap Q4 upward spread
Controls the spread of the sleevecap fourth quadrant curvature towards the shoulder - Sleevecap Q4 downward spread
Controls the spread of the sleevecap fourth quadrant curvature towards the armhole - Sleevecap top X
Controls the horizontal location of the sleevecap top. - Sleevecap top Y
Controls the height of the sleevecap. A higher value results in a higher and more narrow sleevecap.
- Sleevecap back X
- Across back factor
ID | Description |
---|---|
brian.base | Base |
brian.back | Back |
simon.back | Back |
brian.front | Front |
simon.front | Front |
simon.buttonholePlacket | Buttonhole placket |
simon.buttonPlacket | Button placket |
simon.collar | Collar |
simon.collarStand | Collar stand |
simon.cuff | Cuff |
simon.frontRight | Front right |
simon.frontLeft | Front left |
brian.sleevecap | Sleevecap |
brian.sleeve | Sleeve |
simon.sleeve | Sleeve |
simon.sleevePlacketOverlap | Sleeve placket overlap |
simon.sleevePlacketUnderlap | Sleeve placket underlap |
simon.yoke | Yoke |
ID | Description |
---|---|
@freesewing/plugin-bust | A FreeSewing plugin that helps with bust-adjusting menswear patterns |
@freesewing/plugin-flip | A FreeSewing plugin to flip parts horizontally |
Designer Notesโ
Simon is the first design where I really wanted to flex my muscles and show what's possible with parametric design.
I think that if I did it today, I'd probably make a couple of different styles that each extend a more basic shirt design. But, as I mentioned, this design was created in the early stages of my journey into parametric design, so I really wanted to see what was possible.
The result is a shirt patterns with a ton of options that you can turn into a variety of styles. It's also popular among people as a basic block, as it's more fitted than Brian which Simon is based on.
All in all, this is probable one of FreeSewing's more famous designs.
joost
What You Needโ
To make Simon, you will need the following:
- About 2 meters (2.2 yards) of a suitable fabric (see Fabric options)
- Buttons
- Fusible interfacing for collar and cuffs (and possibly for the front placket)
Fabric Optionsโ
Any fabric shop that is worth your business should have a shirting section. You can just walk in, ask where you can find the shirting, and pick out something you like.
Most of what you'll find there will be cotton, or a blend of cotton. But you're free to go for another fiber too.
When shopping online, it can be harder to get a good idea of what you're looking at. In the absence of touch, it's good to know a thing or two about the different weaves of fabrics. The weave is how the fabric was woven, and this determines not only how the fabric looks, but also how it will feel and drape.
Without wanting to start an encyclopedia of fabrics here, here are some terms you may come across when shopping for shirt fabric online.
Broadcloth or poplinโ
Broadcloth is the way to go for that white shirt for your job interview or wedding.
Broadcloth (frequently referred to as poplin) is a simple weave and results in a flat plain fabric that will give you that crisp formal look.
It's typically a lighter fabric and in light colours can tend to be a bit transparent.
Twillโ
You can recognize twill fabrics by their characteristic diagonal texture from the weave.
It drapes more easily than broadcloth, wrinkles less and when it does, is easier to iron.
The flip side of the coin is that it won't give you that starchy crisp vibe that broadcloth can.
Pinpointโ
Pinpoint is the work horse of shirt fabrics. Typically they produce a heavier and thicker . and thus more durable . fabric.
Pinpoint is a less formal look than broadcloth or twill, but more formal than oxford. This, combined with its durability, make it a great choice for your everyday work shirt.
Chambrayโ
Chambray is simple weave, similar to broadcloth. It is different because it uses a much heavier yarn, and typically different colours for the weft and width.
The result is a much more textured fabric, both in touch as appearance where the different colours create a densely speckled two-coloured fabric.
Denimโ
Denim needs no introduction. It's the stuff your jeans are made from.
Technically a twill fabric (look for the signature diagonal texture) denim is produced in much lighter weights than the ones your jeans are made from. Those are the ones you can use for a shirt.
Flannelโ
From Curt Cobain to the hipsters at your local coffee shop, they all swear by flannel shirts.
Warmer than any other option here, flannel comes typically in brushed cotton though you might find it with added wool for extra warmth.
Linenโ
Linen wrinkles like a mofo, but you can't beat it for safari looks.
The reason you associate it with adventures in tropical climates is that linen breaths like nothing else and will keep you coolest of all.
Thread countโ
A higher thread count means a smoother (and more expensive) fabric.
Thread count is expressed in numbers, like 60s, 80s, 100s and so on to 300s and more.
There's a catch though. Numbers above 100s are typically made by twisting two yarns together. Like a 160s thread count means that two 80s yarns were twisted together for the thread.
Single ply or Two plyโ
If a thread is made up of two yarns (see thread count above) we call that Two ply.
If the yarn is made up of a single thread, it's call Single ply.
You can expect two ply to last longer, and be more expensive.
Cutting Instructionsโ
- Main fabric
- Cut 1 front left
- Cut 1 button placket (only if you opted for a separate button placket)
- Cut 1 front right
- Cut 1 buttonhole placket (only if you opted for a separate buttonhole placket)
- Cut 1 back
- Cut 1 collar
- Cut 1 undercollar
- Cut 2 yoke(s) or 4 yokes if you've chosen a split yoke
- Cut 2 sleeve(s)
- Cut 2 collar stand(s)
- Cut 2 sleeve placket underlap(s)
- Cut 2 sleeve placket overlap(s)
- Cut 4 cuff(s)
- Fusible interfacing
- Cut 1 collar
- Cut 1 undercollar
- Cut 2 collar stand(s)
- Cut 2 cuff(s)
When cutting out two, you can cut them good sides together. However, when working with fabric with a pattern, I prefer to cut them individually to finely control the pattern matching.
When you cut them individually, remember that they need to be mirror images of each other. So flip either your pattern or your fabric over when cutting the second one.
Caveatsโ
- The front right, front left, and sleeve have seams that should be made into flat-felled seams. As such, they have extra seam allowance on those seams. When cutting out these pieces, you must include this extra seam allowance.
- The cuff guard and cuff placket have no seam allowance. That is normal, just cut them out as they are drawn on the pattern.
- Do not cut out the darts in the back piece. You should mark them, but not cut them out.